Featured Reviews
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Carmina Burana
- Feb 3, 2019 “Vocal strength… vividly articulated”
- Corriere di Rimini
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Die Tote Stadt
- Feb 3, 2019 Splendid... strength and agility"
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La bohème
- Feb 3, 2019 "Smooth, deeply rich tenor voice... powerful presence"
- Feb 3, 2019 “Exceptional… dramatic abilities”
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Opportunity Makes the Thief
- Feb 3, 2019 “Bel canto bonafides… a lovely cavatina”
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Silent Night
- Feb 3, 2019 "Most notable"
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Tannhäuser
- Feb 4, 2019 "Loudly and clearly... a Wagnerian fever pitch"
- Feb 3, 2019 “Full-throated hero… carried the role”
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The Barber of Seville
- Feb 24, 2022 "bright sound and winning music-making, as well as his impersonations, were a delight..."
- Aug 5, 2021 "Bright sound and expansive lyricism... embellishments emanated from the melody and the mood"
- Aug 5, 2021 "Fulsome coloratura passages... a touch of liquid to the sound"
- Aug 5, 2021 "Big, rich voices suitable for Wagner and Verdi can carry Rossini's rapid fire drollery just fine"
- Aug 5, 2021 "Sweetness and sensitivity to Count Almavira"
- Aug 5, 2021 "Wanger's Lohengrin was vacationing in Seville"
- Aug 5, 2021 "Bright tenor oozing squillo... always splendidly audible"
- Aug 5, 2021 "Particularly adept at the lavish extra ornamentation"
- Aug 5, 2021 "Simpson sailed... ornamenting with abandon"
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The Prince of Players
- Feb 3, 2019 "Fine Singing, Super Acting, and Clear Diction"